LFA Artists’ News
To view LFA Members Exhibitions prior to April 2020, please click this pdf link.
Keith Harris
Plein Air Oils Destined for Dean Clough?
Farm Above Diggle, oil, 24 x 24 cm I had hoped to submit these and some other plein-air oils to the LFA annual exhibition at Dean Clough, but will now have to wait for another opportunity. However, this delay is a minor inconvenience considering the circumstances everyone has to cope with. I feel I should…
Pamela Anne Briggs
Submissions for Dean Clough 2020
BYZANTIUM: 21 WINDMILLS, Acrylic on 4 x panels, total 244 x 122cm. My current practice is Hardedge Geometric Abstraction. Initially my source of inspiration is Ancient Pattern. I work sequentially through many permeations in work journals developing ideas, until I decide which options might lead to finished pieces, and these will usually then be part…
Julia Borodina
Commission paintings for the Dakota Hotel, Edinburgh
At the end of March I have won a commission project for 2 large canvases (300cm x 170cm); they have been completed in self-isolation at the Creative Arts Hub in Mirfield. The brief was based on vintage travel and inspired by the traditional railway posters. I am very happy with the result and really enjoyed the work on such a…
Tony Ratcliffe
Beyond the Tree
Kilburn Horse block drawing. Shortly after the end of the Northern Stones and Peat Smoke exhibition in Liverpool I was invited to have a solo exhibition at the ‘Inspired By’ gallery in the North York Moors National Park. The theme of the exhibition and programmed events focused on the environmental importance of trees and their…
Jo York
Layers in Landscape and In Paint
Work in progress on a 41cm square canvas, with colours, tools, sketchbook and notes. My artwork usually comes from walking in the landscape. Getting out in the fresh air, in the natural environment has always been really important to me. Being there in all weathers; absorbing and responding to a sense of place, is at…
Roger Gardner
Attic Painting
I’m working in the attic with limited supplies. The 80cm. square has been around for a long time. I started with some homemade stencils then changed things. The end result may be totally different…
Geraldine Thompson
En Plein Air Whatever the Weather
Cherry Blossoms at St Peter’s, Addingham (above) Whatever the weather, I like to work outside whenever possible. Some of these plein air paintings will be finished pieces like the ink and watercolour ‘Cherry Blossoms at St Peter’s, Addingham.’ (28 x 41cm). On other occasions, small oil paintings are done on wood like this little study…
Luisa Holden
York open Studios
The first four works would have gone into this year’s York Open Studios. The ‘Blue Landscape’ is a current piece; it needs a little detail and texture in the foreground and a varnish but its almost there (it is acrylic, Inktense and oil pastel on board and is roughly 40 cm x 40 cm).
Sharron Astbury-Petit
Figuratively Speaking
This is my little “Queens of the Night II” painting, part of the (now closed) exhibition “Figuratively Speaking” at the Blossom Street Gallery in York.